Review: Summer/Autumn Update

Our cinema going over the Summer and Autumn dwindled considerably but with good reason. We bought our first house after years of renting and the process was long and stressful leaving little time for films. Hopefully we will return to our nearly weekly habit in the New Year. I’m going to give you a quick round up of the films we saw since June when we went to the excellent F1 film.

  • Jurassic World. I really enjoyed this. I wasn’t a fan of the franchise and this was probably the first time I’d seen a JP film since the earliest film. It has an engaging plot, nothing too brain taxing but the special effects were excellent. The sea creatures circling the boats were particularly thrilling for me. 7/10
  • Superman. Another film seen without much knowledge of prior films for me. This was an average film, made better by the slight flaw in the main character – he didn’t seem to be the “Superman” of legend, he was vulnerable and ultimately needed help to triumph. 6/10.
  • The Fantastic Four. Another average superhero romp for me. The acting felt a little wooden and I didn’t really warm to any of the characters. 6/10.
  • The Bad Boys 2. Just silly and funny. Nice animation. 7/10.
  • Taylor Swift | The Release Party of a Showgirl. Not really a film, more of an experience. I was with friends and we had a lot of fun. Selfies at the cinema, lots of other Swifties around us, an all around feel good night out. The filming of the video for The Fate Of Ophelia was the main theme of the film, interspersed with Taylor Swift talking about all the other tracks on the album. Fascinating to see the video process from the storyline to the choreography to the filming. 9/10.
  • Springsteen: Deliver Me from Nowhere. I’m not a huge Springsteen fan, so this was never going to be a must see film for me but I’m glad I saw it. It was a deeply personal side of an artist I know very little about as a man. It would have worked as a biopic of a fictional artist just as well, the Springsteen element wasn’t the most interesting thing – the torment of not being understood as an artist, battling with everyone to deliver the masterpiece you know is inside you – that’s the story of the film and it was moving to watch. 7/10.
  • Nuremberg. Almost the film of the year for me. Definitely in my top three. I’ve subsequently read a couple of reviews criticising the performance of Rami Malek in the film but I enjoyed it, a slightly fragile, uncertain portrayal of a man battling with the monster he’s confronted with but reluctantly finding the human being oddly fascinating. I didn’t know a lot about this period of history so it was sobering and informative as a film. 9/10.
  • Park Avenue. I saw this alone and I think there was only three people in the cinema which is sad because it was a very enjoyable film. Plot wise it was slow and meandering but that was important, it embodied the whole theme of the story for me – Fiona Shaw’s character is slowly dying whilst trying to hide this from the people around her. The sets and costumes were beautiful – Kit’s wardrobe was wonderful. The storyline probably needed another strand to inject a counter point to the film, I think probably the daughter’s dalliance with an old flame was supposed to be that but it kind of got lost in the heaviness of the mother/daughter relationship. 7/10.
  • Wicked: For Good. Alongside everyone else I’d been waiting for the second part of the Wicked story for a year. I did well to avoid reading about the likely plot and similarities or otherwise to the stage show (which I haven’t seen) so the plot twist was a surprise. The film was wonderful – admittedly all the great songs seem to be in the first movie, but For Good was enough! The animation of the animals is beautiful and all the special effects were flawless. The most important thing is the story, you almost don’t notice the other things while you’re watching, just remember them when you reflect on the film later. The relationships and the story are wonderful and perfectly portrayed. I laughed, gasped, shed a little tear and rejoiced alongside everyone else in the cinema. 10/10

So that’s my whistle stop round of up our summer/autumn films. Hopefully the weekly review service will be resumed in January.

Review: Blue Rose Code 10 May 2025

Thornton Hough Village Club and Bar

Sometimes you miss going to a gig because life gets in the way, or you miss the announcement or you have other plans. Then you have to live with the hint of regret when you hear people talking about that gig that you missed. Happily because Neil Johnson seems to have a perfect handle on the kind of music I love and he nudged me in the right direction this week, I had the immense pleasure of being at the Blue Rose Code gig at Thornton Hough Village Club & Bar last night. I feel like it might be one of those gigs I talk about a lot – “….. remember that night…..”.

Normally my reviews are full of details and songs and band members and history. I have none of that for this gig. I went into the gig knowing almost nothing about the band/duo – I knew I’d heard the name but that was as far as it went. I was not prepared (even after a few listens on Spotify) for the sheer beauty and passion in the music. Ross and Ben took the small but perfectly formed audience on such an emotional journey last night. In places I was just mesmerised both by the intensity of feelings and also the amazing guitar skills of both musicians.

I had a chance to chat with Ross in the interval, what a lovely man – so appreciative of the audience (we’re pretty cool at THVC to be fair, we even sing along when we’re asked to 😆) and so approachable.

So now I go out on my Blue Rose Code journey, in an effort to catch up and fill my soul with these beautiful lyrics and glorious songs.

I’m off to find my “murmuration of starlings” ❤️

Review: Ian McNabb, 5th April 2025

Thornton Hough Village Club and Bar

Another spectacular gig at Thornton Hough Village Club & Bar last night. It’s been a while since we were treated to an evening in the company of Mr Ian McNabb at THVC – which is the finest venue in the whole of the North West if you want to really experience live music in its purest form. 

Ian played two sets as he usually does here and the crowd were up for singing and joining in right from the off. With a beautiful collection of guitars and a back catalogue going back <mumbles> years you always know you are going to hear something you love, maybe with a slight twist, or a new story to introduce it. Liverpool Girl got an upgrade of mass sound effects from the audience (by Ian’s instruction) – I was in the fog horn section 😂. 

It’s hard to pick a favourite song from Ian. There are songs that devastate my heart – Evangeline and Before All Of This – both of which were in the setlist last night, but mercifully not one after the other – thanks Ian 🥰 Sorry for sobbing. But there are also songs that make me smile (aforementioned Liverpool Girl) and songs that evoke such strong images (Film Noir Star).

I don’t think I’ve heard Camaraderie for such a long time and it’s one of my favourites. All the other classic songs were in the setlist (which I shamelessly stole at the end of the night 😇). 

As always Hollow Horse touches me like few other songs do – it’s a call to arms, a rallying cry, something that makes me think of the many gigs I’ve been to, stood with my arms around one of my Icicle Works compadres belting out that song like it’s our last day on earth. 

In all a wonderful evening surrounded by good friends in the company of one of the finest musicians I’ve ever had the privilege to call my friend.

I’ve added links to all the songs I’ve mentioned but please consider going to Ian’s website and purchasing something direct from the artist. https://www.ianmcnabb.com. Ian’s latest album, If It Wasn’t For The Music has just been released this week.

Review: Harp and a monkey

Thornton Hough Village Club and Bar, 28 March 2025

As a photographer and scrapbooker my whole life is documented to some degree. I love taking photographs that tell stories, that mark a moment in my life. My greatest joy is doing that at a gig. I have thousands of photographs that take me back to a song or a moment in a gig, where I feel like I captured the essence of the performer, to be held on file forever, to allow me to instantly recall the feeling.

Every now and then I go to a gig where my camera is not enough. Where no matter how hard I try I cannot capture that essence. Last night’s gig at Thornton Hough Village Club & Bar by Harp and a monkey was one of those gigs. And it’s not the first time! Every time we see this band I am transfixed, by the stories, by the history, by the sheer love for their craft that oozes from the stage. Mostly I am captivated by Martin Purdy and his obvious joy in performing, a joy that just radiates out into the audience.

I can hardly shift my attention to my camera because I might miss something, some nuance of a story I haven’t heard before, a phrase I’ve not noticed before. And so the total sum of my photographs from last night is five 😆 But what an experience.

The setlist was as varied as their back catalogue but highlights for me were Pilgrim’s Cross, The Molecatcher and Serenade For A Winters Day. Also Tupperware and Tinfoil which is regularly played and sung along to in our car 🥰

Same time next year guys?

“Wherever you go there’s footprints upon the snow” ❤️